About
Montage is a lounge-chair reading experience engaging with cinema on all facets. In the age of review–as–one-liner, Montage opts for considered analysis, cracking the machinery of film open to better appreciate the gears that make it tick. Taking an unflinching stance on the merits of formal critique, Montage celebrates the good and unpacks the bad, for the benefit of fellow filmmakers and the broader culture our work converses with.
Articles are published online on a rolling basis, to be later compiled as discrete print issues with bonus material twice annually.